How are the problems intertwined? Does the secondary character’s back story play into the hero’s current struggle? What about the heroine’s internal need? Does that shed light on the hero’s external goal? Maass provides examples of how to weave the layers together so they impact a resolution that reveals each character’s relevance to the story in a satisfying conclusion.
Perhaps this meshing of plots and characters more than anything else—at least in my humble opinion--defines the breakout novel. Harlan Coben and Jodie Picoult are two favorite authors who have mastered the technique. Each time I read their books, I am amazed at the intricate way they weave their stories, sprinkling in pertinent facts that intersect (nodes of conjunction) and lead to a climax that always takes me by surprise.
How do we accomplish that in our books? Get out a paper and pencil and note anything in your story that can overlap—characters, conflict, subplots. Now combine these smaller units into larger groups. The villain’s sister was the heroine’s best friend all during high school. The hero worked construction for the company where the murdered man was last seen. The high school best friend was dating the hero and didn’t tell him the murdered man had been stalking her for two months prior to his death. See how the story builds and the reader is drawn more deeply into each layer of the action?
Let’s re-look our current work-in-progress to determine nodes of conjuncture that weave the plot layers together. Maass has given us another blockbuster technique. Our job is to incorporate what we’ve learned into our own stories.
Wishing you abundant blessings!
PS: This week's Love Inspired Suspense, KILLER CARGO, by Dana Mentink, shows how plot layers can be woven together into a great story! Be sure to get Dana's book and the other exciting stories available this month from Steeple Hill.
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